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Fort of Daulatabad
  • Fort of Daulatabad

    ₹2,000.00 Regular Price
    ₹1,800.00Sale Price

    The present book, "Daulatabad Fort", throws light on all the architec tural creations in and around Daulata bad Fort. The fort was excavated by Bhillama IV of the Yadava dynasty and successive dynasties who conquered the fort have continuously added to its rich architectural buildings. The book includes a brief history of the fort. But the main focus of the book is on its architectural strength that includes the giant, formidable fortification walls, with features like battlements, bastions, gates, etc. The fort has a broad moat with a wooden bridge connection, caves in the interior, temples, masjids, step wells, tanks, etc. which have been described at length. It also contains details of palaces, built by various dynasties, their architectural features, etc. The landmark of Daulatabad Fort is 'Chand Minar' or 'Tower of Victory', which has been described at length. The book also throws light on the water system of the period.

    Besides the architectural remains, the book has taken special pains to assess and evaluate the present con dition of all these remains. The environ mental impact of development due to tourism, around the fort, at the same time failure of the authorities at planned conservation and preservation of the fort has also been measured, gauged and appraised.

    The book has further attempted to identify all major problem areas and offered useful suggestions for a planned development and expertise to create a more satisfactory experience for the tourists.

    SKU: 818090072X
    • PRODUCT INFO

      AUTHOR DR DULARI QURESHI
      PUBLISHER BHARATIYA KALA PRAKASHAN
      LANGUAGE ENGLISH
      EDITION 1st
      ISBN 818090072X
      PAGES 130
      COVER HARDCOVER
      OTHER DETAILS 11.00 X 9.00 INCH
      WEIGHT 840 GM
      YEAR                       2004                                                        

       

    • AUTHOR INFO

      Dr. Dulari Qureshi, who hails from Aurangabad, is a highly learned and articulate academician and has made a distinguished mark in intellectual circles. She holds a Doctorate in Art History; the topic of her thesis is, "Art and Vision of Aurangabad Caves published later by Bharatiya Kala Prakashan, Delhi. She is also armed with a degree in Journalism and a postgraduate diploma in Tourism. She has four books to her credit and two more are under publication. She has written 270 articles on art, culture, and tourism development and its impacts on monuments, which have been published in the leading dailies, magazines, and journals. Her articles have been published at the regional and national levels, and have received wide recognition. In her historical city of Aurangabad (Ajanta and Ellora fame) she has created awareness amongst all local tourism-related agencies, as well as schools, colleges, and universities at conserving and preserving the local monuments for posterity and instilled pride through her continuous articles. It's to the heritage of Aurangabad, and its significance that the Govern historical men's attention was drawn. The outcome of her immense efforts was the establishment of a Heritage Committee formed by the Municipal Corporation of Aurangabad of which she is a member. Apart from this, she is also a member of various committees at the regional and national levels like the Antiquities Expert Committee, Mumbai, and Ellora Aurangabad festival of which she is a Chairperson of cultural events and the Joint Secretary. She is also on the editorial board of the monthly magazine 'Art and Glamour on art, culture, heritage, and tourism. She worked as a freelance journalist for the Times of India between 1996 and 1999.

      She is presently teaching in the Department of Tourism Administration, at Dr. Babasaheb Ambedkar Marathwada University, Aurangabad.

    • PREFACE

      In the world of art and architectural scholarship, I owe my initial training to the Late Dr.Ramesh Shankar Gupte, my father, who has authored several books on Ajanta, Pllora, and several other cave temples of India. As an authority on iconographical studies, he presented me with a deeper perception of cave temples by analyzing minute details of every aspect which otherwise would escape one's attention. After my father's untimely death, my learning process was passed on to Dr. R.S. Morwanchikar, my guide, and guru who assisted me in a more scientific process of studying and examining a monument as it is closely related to the study of art and architecture, that was when I developed a practice f examining, scanning and observing every detail not only concerning the monument but around the monument and its surrounding.

      In the present book, I have tried to accomplish a pleasant assignment that my publisher had thrust on me as there was no single book on Daulatabad fort while the other forts of India were much in focus due to several books available on them in the market. I have long felt that our traditional method of writing on art and architecture does injustice to the present status of several ancient and medieval structures especially if we admit only limited aspects of descriptive analysis of a monument. I have slightly deflected by including not only the historical and architectural aspects but also rather included the present status of every structure and what is required for its long-standing survival.

      I have however refrained from including the social, economical, literary, or religious aspects of historical study but preferred to restrict myself to a brief history and architectural study of the structures in and around the fort. However, I have also undertaken several educational tours for the students of my department of Tourism, I had consistently been drawn to the shortcomings and weaknesses of our tourist destinations, the reason why I decided to examine the surroundings of the fort and understand the 'why's of the deterioration and erosion of the structure the shabby conditions of its environments which are responsible in reducing the pleasant experiences of the tourist while moving in and around the fort.

      I do not need to be told how absurd this enterprise is, or how immodest is its very conception. An attempt to relate both architecture and tourism might not be appreciated by those who would rather like to limit architectural studies.

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