top of page
Garuda In Asian Art
  • Garuda In Asian Art

    ₹3,500.00 Regular Price
    ₹3,150.00Sale Price

     

    Garuda In Aslan Art is a joint work of E. Yamamoto and D.P. Sharma. This pictorial book deals with the introduction and iconography of the Garuda, Garuda in inscriptions in Ancient literature, Garuda pillars, Garuda In ritual Altars, Garuda In Art and motifs, and Garuda on Coins and Seals.

    Garuda in Bronzes and Garuda in Tantra. This also deals with Garuda or Eagle abroad, Garuda in India, Nepal, Bhutan, and Garuda in living tradition in South-East Asia. In the last part, there is photographic documentation of Garuda in Asian Art. The concept of birds and snakes was born in Mesopotamia around 3500 B.C. Garuda or Suparna, the Celestial bird was known in the Rig Vedic Age or Early Harappan period (3500-3000 B.C.). This book is an attempt to manifest how and when the idea of Garuda originated and the idea has been discussed.

    Quantity
    SKU: 9788180901942
    • PRODUCT INFO

      AUTHOR: ETSUO YAMAMOTO & D. P. SHARMA
      PUBLISHER: BHARATIYA KALA PRAKASHAN
      LANGUAGE: ENGLISH
      EDITION: 1st
      ISBN: 9788180901942
      PAGES: 145
      COVER: HARDCOVER
      OTHER DETAILS 28.5 CM X 23 CM
      WEIGHT 1.10 KG 
      YEAR       2008                                                                  

      COUNTRY OF     

      ORIGIN

      INDIA      
    • AUTHOR INFO

      Etsuo Yamamoto &  D P Sharma

      Etauo Yamamoto Graduated from the Law Faculty. Kyushu University, Japan. He studied at Graduate School at the University of Florida, U.S.A. He founded Sela Corporation handling Asian Arts and Handicrafts, and Seia Corporation affiliated with Hayashi Bussan Interior handling European porcelain and handicrafts. Presently he is Director Aslan Ethno-Form Society and Professor Institute of Aslan Ethno-Form and Culture. His next Joint publication with D.P. Sharma is Mythological Bird and Serpent in Asian Art.

      D.P. Sharma has an M.A. in archaeology from Allahabad University. The significant contribution of the author is the discovery of the Menander (Posthumous) Brahmi inscription from Reh. During 1983-84, he was awarded the Commonwealth scholarship and he meritoriously qualified M.A. (Archaeology) from the Institute of Archaeology, University of London. He participated in the excavation of Sussex (U.K.) and Pincenvent (France). He did Ph.D. research at Allahabad University. He was an Associate Professor in National Museum Institute and Head of the Harappan Collection. In National Museum, New Delhi. He is the Director of Bharat Kala Bhawan B.H.U., Varanasi. He has 24 books and 200 research papers to his credit.

    • PREFACE

      Ganada (Syena or Eagle) or Allas or Supama the celestial bird was known in the Rig Age (Early Harappan 1500-3000 B.C. in Mesopotamian mythology and art before 3000 BC). There is very little Archaeological evidence to confirm whether Garuda was a mythical or a real bird.

      However, the author is of the view that the belief about the actual existence of this mystical bird has penetrated deeply into not only the subconscious of individuals but also has been woven into the basic structure of the cosmos.

      Symbols that have the bird and the snake as exactly opposite concepts were born in Mesopotamia. The hind symbolizes the sky and the snake, the earthy and water the two relatively major clements of the cosmos. This symbolist thought immersed into the life and tenure of the Eurasian continent like water seeping into Mother Earth. In India, this thought was reconstituted into the myth of Canada and Naga and was disseminated again mo South East Asia, China, and Japan along with Hinduism and Buddhism in their new form.

      The contrasting thought of bird and snake deeply steeped in the cultural fabric was already there in different parts of the world in the mythology, folktales, and legends but Ganada and Naga that got transplanted along with Hinduism, Buddhism and other gods brought about a major transformation like a shockwave as if overwriting all that existed until then and triggered the birth of a new culture.

      The author formulated this hypothesis many years ago and to verify he carried out fieldwork for the last 30 years all alone Sonse years ago when he met De Deo Prakash Sharma, he requested his cooperation to collect materials and pictures about Garuda in India. In the process of their work, many differences in their approaches and views were discovered but Dr. Sharma was kind enough to give a patient hearing and show understanding to the author's views and was even kind enough to agree to co-author this book. This book is only an initial attempt to manifest how and when the idea of Garuda originated and how and where the idea has been diffused.

      In India, Ganesh is a highly popular god id Croda in the author's opinion is not even as popular as Hanuman. Since Ganada is the vehicle of Vishu, he may ultimately take us to the heavens and may provide us with the nectar Thanks to the divine guidance of Garuda, the author has been able to carry out his research for long in an enjoyable manner. Moreover, Garuda has even bestowed good tack on him.

      The author is indebted to a large number of people who made this book a possibility but it may not be possible to name each one of them here. However, some of them who need special mention are Dr. Prem Morwani, (Prof Jawaharlal Nehru University) for his valuable advice and painstaking translation from Japanese into English despite his busy schedule, and Shigei, his wife, who looked after the family during his absence for 3 months at a stretch) every year for 30 years when he traveled overseas.

      Finally, the author would like to express his adoration for Garuda for blessing him with the opportunity to carry out such meaningful research that was difficult, but in enjoyable manner. Further, the author prays to Garuda to bring good luck and protection to all those whom he has come to know during the making of this book

       

    Related Products

    Frequently Bought

    Special Offers

    Product FAQs Q. Do you offer express shipping? A. Yes, we do have a chargeable Same-day and Next-day delivery facility available for Indian pin codes. For express shipping, please reach out through info@bkpbooks.com Q. What locations do you deliver to? A. BKPBOOKS delivers orders to all Indian pin codes and countries having diplomatic relations with India. Q. Can I return the book? A. No, All returns must be postmarked within Five (5) days of the delivery date. All returned items must be in new and unused condition, with all original tags and labels attached. To know more please view our return policy. Q. What is the Handling & delivery charge? A. Handling and delivery charge is the sum of acquiring the book from the remote publisher to your doorstep. Q. I accidentally entered the wrong delivery address, can I change the address? A. Delivery addresses can only be changed in case the order has not been shipped yet. In case of an address change, you can reach us at care.bkpbooks@outlook.com Q. How do I track my order? A. You can track your orders by simply entering your order number here or through your past orders if you are signed in on the website. Q. How can I cancel an order? A. An order can only be canceled if it has not been shipped. To cancel an order, kindly reach out to us at care.bkpbooks@outlook.com.

    Give Us Your Feedback

    We’d love to hear what you thought about us.

    Rate Our Services
    PoorFairGoodVery goodExcellent

    Thanks for sharing your feedback with us!

    • Instagram
    • Facebook
    • Twitter
    • Linkedin
    • Pinterest

    © 1990 - 2025 by Bharatiya Kala Prakashan, All Rights Reserved.

    bottom of page