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Iconography of Vishnu from Khajuraho
  • Iconography of Vishnu from Khajuraho

    ₹1,500.00Price

     

    Khajuraho is a small but modernized village situated in the Chhatarpur District of Madhya Pradesh in Central India, played an important role as one of the capitals of the Chandellas, with its famous group of magnificent temples with sculptures, built between the 9th and 12th century AD, became the religious city of Chandellas. The Chandellas were devoted worshipers of both Vishnu and Siva. Vishnu is variously worshipped as Vaikunthanatha, Vamana, Trivikrama, Lakshmana, Adimurti, Hayagriva, Lakshmi-Narayana, Surya-Narayana, Krishna, Visvarupa, and so on. The Lakshmana, Vamana, and Javari temples of Khajuraho are dedicated to Vishnu.

    Chapters I and II deal with the location and general history of Chandel las and Chapter III is written on the Characteristics of temples in general and Vishnu temples at Khajuraho. Chapter IV dealt in detail with the worship of Vishnu, the Twenty- Four Forms of Vishnu, and other forms of Vishnu namely Adimurti, Dattatreya, Gajendra moksha, Hayagriva, Lakshmi-Narayana, Surya Narayana, Vaikunthanatha and Vish vara. Chapter V deals with Minor Divinities namely Gaja-Lakshmi, Garuda, Hanuman, and Ayudhapurushas.

    This work aims at presenting a detailed and systematic study of sculptures and iconography of Vishnu in particular based on Puranas and other ancient texts. This is a comprehensive study of the iconography of Vishnu with all the relevant details including major and minor forms of Vishnu. Although some books on sculptures have been published there prevailed a lacuna as far as comprehensive work on Vaishnavite sculpture from the iconographic point of view.

     

    SKU: 9788186050255
    • PRODUCT INFO

      AUTHOR DR. K.M. SURESH
      PUBLISHER BHARATIYA KALA PRAKASHAN
      LANGUAGE ENGLISH
      EDITION 1st
      ISBN 8186050256, 9788186050255
      PAGES 210 (THROUGHOUT B/W ILLUSTRATIONS)
      COVER HARDCOVER
      OTHER DETAILS 10.00 X 7.00 INCH
      WEIGHT 790 GM
      YEAR                        1999                                                                               

      COUNTRY OF      

      ORIGIN 

      INDIA                                                                             
    • AUTHOR INFO

      Dr. K.M. Suresh (1) 1952) presently working as Director (Museum) in the Kannada University, Hampi, Vidyaranya Kamalapura-583 221, obtained his Master's Degree in Ancient Indian His tory, Culture and Epigraphy from Kar nataka University, Dharwar in 1974 and Post-Graduate Diploma in Archaeology from the Institute of Archaeology. Ar archaeological Survey of India, New Delhi in 1986. He obtained Ph.D., Degree from Utkal University, Vanivihar Bhubanes war (Orissa) in 1992 on 'Sculptural Art of Hampi Vijayanagar.

      Since his inception in the Archaeological Survey of India in 1976, he has served in various capacities in the Archaeological Museum at Bijapur, Hampi, Khajuraho, Aihole, and Badami. He has been an active field worker in the Excavation Branch IV of the Archaeological Survey of India, Bhubaneswar, and actively participated in the major excavations at Ramapuram, Banahalli, Khalkatapatna, Thakurani Tilla, Sham sugar Tilla, Udayagiri and Barabati Fort.

      Dr. Suresh's other works are Saivite Sculptures of Khajuraho; Monograph on the Kandariya Mahadeva Temple at Khajuraho, Sculptural Art of Hamp; The History of Chandellas; Early Western Chalukyan Sculptures from Aihole, Badami, Mahakuta and Pattadakallu; A guide book on Aihole Monuments; Megalithic Culture in Northern Kar nataka; Forts and Fortifications of Vijayanagar and Veerabhadra Temples and Sculptures from district Bellary in Karnataka. He has contributed several research papers for leading Journals and Felicitation Volumes on Iconography, sculptural art, epigraphy, and proto-history. He is one of the chief editors and convenors for Shri C.T.M. Kotraiah's Felicitation Volume entitled 'Hemakuta Recent Researches in Archaeology and Museology. He is a member of several learned bodies.

    • FOREWARD

      The word Khajuraho conjures up great feelings in the minds of art historians all over the world because of its group of magnificent temples and a wonderland of erotic sculptures. The Khajuraho temples, are nothing but symbolic and symbolize Yoga through the Bhoga, that is, divine unity and worldly pleasures.

      Khajuraho is a small but modernized village situated in the Chhattarpur district of Madhya Pradesh. It played an important role as one of the capitals of the Chandellas. With its group of magnificent temples, it became the religious city of the Chandellas. These temples were built between the 9th and 12th century A.D., and are the most exquisite specimens of Hindu architecture and sculpture in medieval Northern India. The Chandellas were great worshippers of both Vishnu and Siva. Vishnu is variously worshipped as Vaikunthanatha, Vamana, Trivik rama, Adimurti, Hayagriva, Lakshmi-Narayana, Surya-Narayana, Krish na, Visvarupa, and so on. The Lakshmana, Vamana, and Javari temples of Khajuraho are dedicated to Vishnu.

      The credit for rediscovering Khajuraho goes to Mr. T.S. Burt, a British Engineer, who visited Khajuraho in 1838 and was struck by the sculptural and architectural excellence of its temples. Alexander Cunnin Gham visited this place between 1852 and 1885 and made a detailed survey of the temples and antiquities of the Chandellas.

      Few scholars have worked on the temples and sculptures of Khajuraho. Dr. K.M. Suresh has done an intensive study on the Iconography of Vishnu sculptures of Khajuraho with the thoroughness of documentation and clarity of interpretation. This is a good combination of critical analysis and descriptive details. I am glad that he has made an earnest study and has given an interesting account of the iconography of Vishnu sculptures which has not been adequately studied from this point of view. Apart from studying the major and more popular forms of Vishnu, Dr. Suresh has included some of the lesser-known forms also.

    • PREFACE

      During my service in the Archaeological Museum, Khajuraho from 1991 to 1993, Indeed, I was thrilled and fascinated to write a book. The iconography of Vishnu. As a result, I could write up on Vaishnavite: Sculptures which were produced by the Sculptors of Chandellas between the 9th and 12th century A.D.

      In this study Chapter I and II deal with the location and general history of Chandellas and Chapter III are written about the characteristics of temples in general and Vishnu temples at Khajuraho. Chapter IV dealt in detail with the worship of Vishnu and Vishnu images, the Twenty-Four Forms of Vishnu and other Forms of Vishnu namely Adimurti; Dat tatreya; Gajendramoksha; Hayagriva; Lakshmi-Narayana; Surya Narayana; Vaikunthanatha and Visvarupa. Chapter V deals with Minor Divinities namely Gaja- Lakshmi; Garuda; Hanuman and Ayud hapurushas are also included.

      Few books on Khajuraho sculptures and monuments have been published but there prevailed a lacuna as far as some comprehensive literature of Vaishnavite sculptures from the iconographic points of view was concerned. This work aims at presenting a detailed and systematic study of sculptures and Iconography of Vishnu in particular based on Puranas and other ancient texts.

      I am extremely grateful to Dr. A.V. Narasimha Murthy, Professor of Ancient Indian History and Archaeology (Retired), University of Mysore, Manasagangotri, Mysore, for contributing a foreword to this book and for his kind words of appreciation. My thanks and gratitude to Shri C.T.M. Kotraiah of Mysore, who evinced keen interest and took immense pain in guiding and helping me at every stage to complete this work at the earliest.

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