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Jatakas In South Indian Art
  • Jatakas In South Indian Art

    ₹3,500.00Price

    Early Buddhist monastic establishments of South India between the 2nd century B.C., and 5th century A.D. These were embellished with sculptural picturing the life events of the panels depicting Buddha and his former births. visual narratives were created to educate the pilgrims, patrons, and also the general public about the morals and ethics contained in them. more Though the sculptural panels depicted with Jatakas recovered from various sites were published in different journals and excavation reports, some of them were left untouched and unidentified perhaps due to a lack of interest and research on this particular.

    aspect. The book entitled Jatakas in South Indian Art is the first of its kind in which the author has made a sincere attempt to corroborate the panels with original textual sources and identified the Jalakas untouched by earlier scholars. Fresh discoveries are also incorporated. An attempt is also made to compare the Jätakas of South India with those found in the North Indian sites to obtain a clear picture regarding the distribution and their diffusion to distant lands. Attention is also drawn to the ethics and morals of the Jätakas.

    The book critically examines already published data in addition to the fresh discoveries reported from South Indian sites. The publication is thoroughly supported by good illustrations.

    Quantity
    SKU: 8180900428
    • PRODUCT INFO

      AUTHOR DR. B. SUBRAHMANYAM
      PUBLISHER BHARATIYA KALA PRAKASHAN
      LANGUAGE ENGLISH
      EDITION 1st
      ISBN 8180900428
      PAGES 244
      COVER HARDCOVER
      OTHER DETAILS 11.00 X 9.00 INCH
      WEIGHT 1.30 KG
       YEAR                      2005                                                        

       

    • AUTHOR INFO

      B Subrahmanyam born on 27-05 1950 at Guntur in Andhra Pradesh, pursued his Post Graduate studies in Ancient Indian History Culture, and Archaeology in the PG. Centre, Guntur, and obtained his M.A Degree in 1974 from Andhra University Visakhapatnam. He joined the Department of Archaeology and Museums, Government of Andhra Pradesh in the year 1975 Since then he actively participated in excavations, transplantation of temples, and also conservation of excavated Buddhist structures He took his Ph.D. from Mysore University, Mysore, in 1986: He is at present working as Assistant Director, and looking after the excavations and museums in the Department of Archaeology and Museums, Government of Andhra Pradesh, Hyderabad.

      Apart from his participation in seminars, he has contributed a good number of research papers to various reputed journals. He authored several books viz Thotlakonda - Buddhist site in A.P (1992), Directory of Monuments - Antiquarian Remains in Anantapur District AP. (1993). Pre, Proto and Early Historic Cultures of Krishna Tungabhadra Valley (1997), Andhra Desamulo Buddha Dhatu Petikalu (Telugu, 1997), Buddhist Relic Caskets in South India (1998), Buddhist Inscriptions of Andhra Dasa (1998), Buddhist Relic Caskots in AP, (1999), Lotus Petals-Lumbini Festival (2000), A Monograph on the Gold Coins of the Kakatiyas (2000). Vajrayana Buddhist Centers in South India (2001), Dantapuram. An Early Buddhist site in AP. (2002) etc. He is the Assistant Editor of the book Kevala Bodhi Buddhist and Jaina History of the Deccan (2003), He received an incentive award and appreciation from the Government of AP for the discovery of the Buddhist Relic Caskets in 1993 from Bavikonda, Visakhapatnam District, Andhra Pradesh in 1993 Currently he is involved in publishing books on Buddhist Sites and Monuments in A.P and Jatakas in Indian Thought and Art.

    • FOREWARD

      Artists of ancient India mainly emphasized two aspects viz., depiction of great events from the life history of Buddha and his former births, generally known as the Jataka stories through visual narratives in stone media to educate the public about the ethics and morals embedded in them.

      Though most of the sculptured Jataka panels were examined, identified with textual references, and published in various journals and excavation reports, there are panels left untouched and unidentified by scholars. No comprehensive work has so far been published on this subject, particularly in the South Indian context.

      Dr. B. Subrahmanyam has aptly selected the subject "Jatakas in South Indian Art", one of the untouched areas of South Indian Buddhism. He has rightly attempted to compare the Jataka panels with those of North India and drawn reasons for the introduction of some regional elements in some of the Jataka depictions reported from South Indian sites. For this, he is rightly qualified with his rich and varied experience in Buddhist studies, coupled with deep insight and analytical approach.

      The book encapsulates not only the data already published in various excavation reports but also fresh discoveries made in recent years at various South Indian sites: In this book, the author has attempted to provide moral lessons at the end of each Jataka.

      Nearly forty-one Jatakas from Amaravati, Goli, Nagarjunakonda, Chandavaram, Phanigiri, Gumma durra, Kanaganahalli, etc., have been examined in detail with textual references. While focusing light on the unidentified panels by earlier scholars, the author has effectively visualized the stylistic inclinations, idioms, and idiosyncrasies of the artist, supported by good photographs and line drawings. Here, Dr. R. Sub rahmanyam has made a significant contribution to Buddhist studies in Andhra Pradesh with particular reference to Jataka tales.

      I congratulate Dr. B. Subrahmanyam for his commendable work entitled "Jätakas in South Indian Art". I hope this work will draw the attention of scholars, students, and art connoisseurs and generate interest among researchers to carry out further studies in this field.

    • PREFACE

      The Jatakas represent the stories of the previous births of the Enlightened One, which throw ample light on different aspects of ancient Indian history. Hence the Jataka literature is considered to be an important source material for understanding the social conditions of pre-Buddhist India.

      According to a tradition, there were 550 Jätaka stories originally composed in pali. which were taken to Ceylon by Mahendra, the son of Asaka the Great, about 250 B.C., and the commentary was retranslated into puli by Buddhaghosa in 5 century A.D. Through this commentary, the texts of Jatakas have come down to us. Some scholars say that Somadeva, a writer in the early centuries of the Christian era, composed Kathasaritsagara based on the firhatkatha of Gunadhya in which many Jatakas were incorporated. Some of them were carried to the distant lands as composed in the Puncatantra Whatever the case may be, the text of the commentary was first edited by Dr. Fausboll who categorized the text into three major component elements; viz., the tale, the frame, and the verbal interpretation. Considering it the oldest, most complete, and most important collection of folklore, Rhys Davids translated it in the year 1880. Later, a host of scholars like W. R. D. Rouse, H. T. Francis, and R. A. Neil worked on it and the first volume of their translation appeared in 1895 under the editorship of E B.Cowell.

      In the same century, Kern published Jatakamala in the year 1891. Later J. S. Speyer in the year 1895 translated Aryasura's Jatakamala (garland of birth stories) into English. He says that the Aryasura's Jatakamala has higher pretension and is a kind of kavya style, a work of art and it was used by the Northern Buddhists, whereas the pali Jataka is in simple prose style, followed by the Buddhists of south India. Similarly, three decades later, the Royal Asiatic Society published the translation of another great work namely Avadanakalpalata in the year 1920.

      Several scholars have studied the Jätaka literature from various angles. Richard Fick has studied these Jatakas from the social point of view, keeping always in view, the caste and the priest. Roy Chaudhary has studied these stories to draw the political history of ancient India. Rhys Davids and N. S. Subba Rao have studied and drawn the economic conditions that prevailed during the early centuries of the Christian era. Beni Prasad in his work. The State in Ancient India has exhaustively dealt with the administrative aspects. B.C. Sen in his work, Studies in Jatakas, has drawn political and administrative matters. Ratilal N. Mehta in his work, Pre-Buddhist India, studied the Jatakas from several aspects such as a political, administrative, economic, social, and geographical survey of ancient India.

      The epochal discovery of the Jataka panels in sculpture by Sir Alexander Cunningham more than a century ago, at Bharhut, has opened a line of inquiry and continued by several scholars, especially Foucher and Barua. Foucher described the Jataka stories depicted in Torana reliefs at Sanchi. Barua gave an accurate identification of the Jatakas at Bharhut with the Jataka text. Winternitz, who observed the depiction of Jatakas on the stupas at Bharhut and Sanchi, commented that the sculptors have followed the prose version and so they are of pre-Buddhist origin.

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