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Terracotta Art of Satavahana

Terracotta Art of Satavahana

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 Satavahanas who ruled Deccan for a long time during the early centuries of the Christian era brought consolidation in many spheres. Terracotta art flourished during that period and was unsurpassed. There was a spectacular and unprecedented growth of the terracotta industry during that period not only due to the artistic taste of the people but also due to great demand from the maritime trade from the western world. This period is specially marked by its creative activity in adopting new techniques in manufacturing terracotta by adopting double moulds. Terracottas of the Satavahana period can ‘easily be distinguished by a common factor of theme, form and style’. In this endeavour, the author studied a large number of individual excavation reports of Satavahana sites. He has covered six states viz., Maharastra, Karnataka, Telangana, Andhra Pradesh, Tamilnadu and Madhya Pradesh where traces of Satavahana culture existed. Also visited many museums in some of these states. The author has revised the title to “Terracotta Art of Satavahanas’ after incorporating the material from the above states. He tried to compile and interpret the material in a consolidated manner for the first time as no effort was made by any scholar earlier in this regard to glance through the material comprehensively in one place. Useful to scholars as well as researchers.

SKU: 9788180904059
  • PRODUCT INFO

    AUTHOR: B.S. RAJENDRA BABU
    PUBLISHER: BHARATIYA KALA PRAKASHAN
    LANGUAGE: ENGLISH
    EDITION: 2019
    ISBN: 9788180904059
    PAGES: 117 (WITH BLACK AND WHITE ILLUSTRATIONS)
    COVER: HARDCOVER
    OTHER DETAILS 10.00 X 7.50 INCH
    WEIGHT 420 GM
  • AUTHOR INFO

    Boddanapalli Siva Rajendra Babu (b. 1947) took his M.A degree in Ancient Indian History, Culture and Archaeology from the Andhra University, Waltair in 1970. The Mysore University awarded him the degree of PhD in 1994 for his thesis "Material Culture of Andhradesa (Satavahana Ikshvaku Times)" He was awarded Post-Graduate Diploma in Archaeological from the School of Archaeology Archaeological Survey of India in 1978.

  • PREFACE

    Satavahanas who ruled Deccan for a long time during the early 
    centuries of the Christian era brought consolidation in many spheres. Terracotta art flourished during that period and was unsurpassed. There was spectacular and unprecedented growth of the terracotta industry during that period not only due to the artistic taste of the people but also due to great demand from the maritime trade from the western world.  This period is specially marked by its creative activity in adopting new techniques in manufacturing terracottas by adopting double moulds.   Terracottas of the Satavahana period can easily be distinguished by a common factor of theme, form and style.

    'Art of clay modelling in Deccan during the early historic period under Satavahanas' covering the states of Telangana, Andhra Pradesh, Maharastra and Karnataka was taken up by me under Post-Doctoral The fellowship offered by the Indian Council of Historical Research.

    Now, the title of the publication is revised as 'Terracotta Art of Satavahanas' to widen the scope of the study by covering the states of Tamilnadu and Madhya Pradesh as well, where there are traces of Satavahana Art in addition to the four states already mentioned above. Information  has been collected from different museums, excavation reports and annual reports of the Archaeological Survey of India about these states, compiled and interpreted by me in a consolidated manner for the first time and published for the general benefit of the 
    scholars.


    Dr. B.S. Rajendra Babu

  • ACKNOWLEDGEMENTS

    At the outset, I am extremely grateful to the authorities of the Indian 
    Council of Historical Research, New Delhi for granting me the Post- 
    Doctoral Fellowship for the years 2011 and 2012 on the subject 'Art of clay modelling in Deccan during the early historic period under Satavahanas'. I am equally grateful to the authorities of the Indian   Archaeological Society, New Delhi specially to Shri K.N.Dikshit, General Secretary of the said Institute for accommodating me to undertake research through their Institute.

    Dr Margabandhu, Former Director of, Archaeological Survey of India, 
    New Delhi suggested the topic and gave me the outlines for my 
    study. I express my high regard and gratitude to him for his constant 
    encouragement and guidance.

    Dr N.S.Ramachandra Murthy and Dr. B. Subrahmanyam, former Dy. Directors, erstwhile Dept. of Archaeology and Museums, Govt of AP, Hyderabad for thought - provoking and enlightened discussions on the subject. Dr Subrahmanyam is no more to see this publication. I also place on record the kind cooperation extended by Shri K.S.B. Kesava, Dy. Director (not retired), Dr K. Padmanabha now retired as Dy. Director Shri.Y.Veerabhadra Rao, Gazetted Librarian all from the erstwhile Dept. of Archaeology and Museums, Govt. of AP and Shri Shaji John, Librarian, Archaeological Survey of India, Hyderabad Circle, Hyderabad for their help whenever required.

    I am grateful to the authorities of the Dept. of Archaeology and Museums, Govt. of Andhra Pradesh, Telangana and Maharastra for the necessary permission to study the material and also to the staff posted at different museums for spontaneous help. Equally grateful to the Director and the Museum staff of the Deccan College Post-Graduate Institute, Poona for allowing me to study their material. I benefitted from consulting books and research papers published in various journals by enlightened scholars and my grateful thanks are due to them.

    Archaeological Survey of India  allowed me to study the material 
    under their control and I am grateful to them for their help, particularly to Dr.(Smt.) Urmila Sant, DG. Likewise, I am also grateful to the National Museum authorities, especially to Dr J.E. Dawson, Curator (Archaeology), now retired, for his help to supply me with the photographs of terracottas of Kondapur exhibited in the National Museum.


    Dr. B.S.Rajendra Babu

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